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How to Correct the Unusual Habits of Your Piano Students

April 9, 2011

1 Comment

Just a few days ago I received this question;

One of (my students) chomps down on her teeth in rhythm to the music and I hear a loud click when she is playing. The other gal sucks in her breath at the beginning of every measure and then holds it. They are oblivious to this… I realize that they are not relaxed and it can become an entrenched habit. They are both beginner- Level 1 students and I want to figure out something to help them. Any ideas?

GREAT question! This is very much an issue of self-awareness, habits and motivation to make behavioral changes.

Replace the Bad Habit With a New Habit

Think about smokers. If you try to just stop smoking with no replacement, it almost always fails. However, if you replace smoking with chewing gum or anything really, you get a much higher success rate.

Think of your students as having a bad habit, that is just covering up a good habit. In other words; what should the student be doing instead of clicking teeth or inhaling?

The tooth clicking is just beat keeping, but with the wrong part of the body! Get her to tap her foot, count out loud or perhaps even feel the beat with her wrists – the whole idea is to put the feeling of rhythm somewhere more natural.

Your inhaling student is breathing (good) but in the wrong way (bad). Spend a few minutes with her at the beginning of each lesson doing “symmetrical breathing”; 5 seconds out, 5 seconds in (a Yogi will tell you breathing starts with an exhale). Better yet, have her sing along while she plays her songs. You can’t hold your breath and sing at the same time. Sounds like this student would benefit from the idea that playing the piano is singing with your fingers. If she doesn’t want to sing, she could say the words. If there are no words she could sing/say the notes.

fake teeth

Your clicking tooth student is actually doing a GOOD thing, in a BAD way. She’s attempting to keep the beat and feel the rhythm but just needs to be shown the best way to feel rhythm, and that is with the body – not teeth! Try teaching her how to conduct also.

Think about music in its purest, most natural state – melody and rhythm. The human voice, movement and dance. Speaking or walking. Both these girls are trying to use their bodies in an unnatural way to make music. We just actually have to show them that music is just like breathing or walking, and turn their unnatural habits into natural ones. Making music is just like things they already know how to do – talking, walking, dancing or singing.

I almost want to stop there, but there’s two other tag team tactics that could come in handy (wow, I just used 4 “t” words in a row).

Reverse Psychology & Self Awareness

Ask your student to do the offensive behavior on purpose. Yes, that’s right. ASK them to do the very thing you want them not to do. Why? To bring that unconscious behavior to a conscious level. To give them the acute awareness of what it is they are doing, and a feeling of control. You don’t have to make a big deal of it, and tell them “you’re doing this really weird tooth clicking thing, so I want to you do it more”. You want to be subtle in a way where it doesn’t make things worse, like “let’s see what it feels like to click our teeth in rhythm”.

Then, ask them to play a line of music BOTH ways – and have you guess which way was correct and which way was incorrect. What we’re doing here is engaging their creativity and sense of play. Now we’re further highlighting the differences between the good habit and bad habit.

If all that doesn’t work, try recording them – video is best but audio works too. This is another attempt to bring in the self awareness piece. Don’t directly identify the bad habit for them, but ask them to watch or listen to see if they can identify it on their own. And usually when people, or kids, see themselves doing something they may find even slightly embarrassing or odd, this will motivate them to stop!

I appreciate the question, and I really hope that gives you some ideas. Definitely chime back in and let us know how it goes! This is so great that some questions are coming in, I’m very happy to help out. :-)

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Hey Piano Teachers. Can we get some NOTE-READING LOVE in heeaa??!?!

April 2, 2011

10 Comments

Alright – hey everybody out there!! All two of you who read this!!! OK, no, I’m sure there’s more. Three maybe. That headline will look pretty ridiculous if it says “zero comments” up there forever. I want YOU to tell me what you think about this…

I’m looking for feedback on this whole CLAY note reading deal. I think its the most exciting avenue of teaching music I’ve experimented with, and it has helped so many of my students. Just the tactile aspects of it alone are beneficial. That’s how I first started using the clay, as a tactile experience.

But as time went on, I started to see huge benefits without the tactile aspects. Just the fact that its bigger than the notes on the page, and three-dimensional. It really makes note “real” for kids. Just the fact you can see the note travel from space to line to space. And the fact that it boils note reading down into its most simplistic form – lines and a circle.

So this video is reiterating one of the note games you can play with your students (here was my introductory post on note reading with clay), explaining it a little bit more, and asking YOU to try this one game with them. And let me know how it goes, by commenting on the blog.

So, check out the video, try the game with some students that may be having trouble reading notes (7-10 year-olds are best I find), and let us know how it goes! I’d love to hear your feedback.

Ummm, there’s nothing else down here, the post is over… comments anyone? …cricket

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Listen To Your Piano Student’s Verbal Cues

March 30, 2011

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Buried within the often whimsical seeming comments of a 5 year old, can be essential clues to understanding their interests and motivations.

Yesterday, I was teaching a 5 year old student out of Faber’s “My First Piano Adventure” level C. An interesting thing happened. I think the piece she was learning, was “Ludwig’s Accents” (which is really well arranged by the way, the Faber’s did a superb job of this).

Ear of Corn

Everything was going as usual, we sang and played the song together, talked about what the accents meant. Then she asked if I could demonstrate the duet part to her, which I did.

Then she said: “I would like to learn and play that duet for the recital”.

What?! Huh?! Do have wax in my ears?

I said, “you meant you want to play the duet together for the recital?” (Bear in mind the recital is just over a month away).

“No, I want to play what you just played”.

Yes, its what I thought. She was asking me to teach her how to play the teacher’s part!!

As a teacher, I’ve begun to recognize one thing: this request is a clue. Go with it!

We spent the next 10 minutes in this hard-to-explain “flow”, going back and forth, where we didn’t speak at all – I’d demonstrate part of the duet, she’d copy me. We actually got through the first four measures of it, and she was practically playing it. Her first time! I have a feeling that over a few weeks of doing this repetitively, she may begin to get it. But she’s getting it because she wants to. She had that burning desire inside, and it was her request.

Now I can also surmise that perhaps she likes something about that style of music, whether it be the harmony, or rhythm or mood. Another clue for when I’m hunting for new music for her to try.

My initial inclination, as a “rational adult”, was to say “well that part’s for the teacher!” Or “are you sure you want to try that? It’s a little tricky”.

But being open to the fleeting requests of a 5 year old can bring you to unexpected places. When a student really really wants to pursue something – even if in our logical adult minds it seems beyond them – desire and engagement go a LONG way.

Pay close attention to things your students say today!

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Crazy Flying Fingers Solution Caught On Tape- Piano Technique Part 3

March 26, 2011

4 Comments

Alright folks – check THIS out.

Watch how in this video, we turn stiff wrists into loose wrists, we turn flying fingers into controlled fingers, and we achieve a nice “bridge” shape in my student’s hand – all with one simple exercise. I was absolutely FLOORED when we hit upon this solution, I barely caught it on tape as he was trying it for only the second time.

This is PART THREE of my series on posts regarding teaching good hand position to your piano students. Its in response to some great questions from my post “ask me a question about teaching piano“. Thanks again everyone for the thoughtful questions.

My student is working on Alla Turca by Mozart, which is a little challenging for his age.

WEEK ONE
- He has some technique issues; stiff wrists, collapsing bridge, and most piano teachers favorite – flying fingers.

WEEK TWO
- What would YOU do to help fix these issues? After some trial and error, you’ll see what I did.

—-> Don’t forget to comment – what would YOU have done? What do think about taking the approach that I did?

I think the main point here is that piano playing is comprised of many MIRCO-movements, that have their roots in MACRO-movements. I like this point so much, I’ll say it again in case you missed it.

Piano playing is really large movements that are condensed down into small movements. If your student does not grasp these movements on a MACRO level, they will not get them on a MICRO level.

For example, his wrists were totally stiff (in the first clip). Having him raise his hand and fingers up high to attack the keys, gives his wrist no choice but to loosen up. It gave his knuckle joints no choice but to firm up and support the weight of his hand. And it got him to do a downward motion on the downbeats.

Exaggerate Small Movements Into Big Movements

When your student is having trouble with technique, try exaggerating an aspect of movement. In this case, I had him raise his hand unrealistically high. I had him do this once every four notes (every beat). This is part of experimenting and playing around. In a way, I had NO idea how much this would help. But I had a feeling that if we did something to get him out of his habits and amplify some aspect of the movement, it would lead to a solution.

Also, as he throws his hand downward, it releases excess tension.

As an aside, I didn’t plan on shooting these videos to demonstrate how to teach piano technique. We recorded the first clip of him and then me at the first lesson, so he could watch both and see the difference. I used slow motion after the lesson to try and get a better idea of what his technical challenges were. By slowing it down I could see that his wrists were not coming up and down at the right moments. It was like he was fighting against himself. And further, its how I could see that he was not properly thinking of the joints behind his knuckles as the “keystone” of the bridge. So I went into the lesson (where we found a solution) having a strong idea of what the cause of the problem was – and then working together with him we attempted to play with ways to fix it.

What Do YOU Think

Please COMMENT on and SHARE this article – I appreciate your feedback and help. The more piano teachers I can reach, the more I can help.

Teaching piano is a fascinating, exciting and rewarding profession. I want everyone to feel welcome – this is definitely a “no judgement zone”! Teaching and learning is a lifelong process and we’re all working on improving our craft!

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Relating the Grand Staff to the Piano with Clay

March 17, 2011

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Hey there! So continuing my experiments with using CLAY to help kids read notes, here’s another way you can incorporate it in your lessons.

I’ve set up the clay grand staff to line up directly in front of the corresponding keys on the real piano. The short Middle C line is directly in from of middle C and so on.

This provides an insanely useful connection for the student between how the grand staff is laid out, and how it relates to the actual piano. I’ve been seeing light bulbs go off all week while doing this.

(Pardon my “smokers voice” – had a cold over the weekend and then lost my voice!)

Step By Step

Here’s what we’re doing

We’re using the song “Sneaking Past the Sleeping Dog” from Piano Adventures Book 1

1. The student is putting the clay note where the note is in the song
2. Since the staff is right in front of the corresponding keys on the piano, key is then playing the note directly in front of the clay note.
- (for sharps he’s just leaving the clay note on the appropriate line/space but playing it as a sharp on the piano.)

I hope you like this game and find it helpful. As always feel free to leave a comment and let me know what you think!

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Incredibly Effective Note Reading Activity

March 13, 2011

9 Comments

Alright… here it is!  This has been the most exciting game and teaching tool I think I’ve ever used.  For the past year, I’ve been using CLAY to help my students read notes.  It works unbelievably well.

I’m not going to say too much about it here, just yet, I think the initial video speaks for its self.  Maybe some of you have tried other ways of incorporating 3D objects into your piano teaching?  If so, I’d love to hear about them.  As always, please let me know what you think of this idea!

These are just a few quick ideas – there will be lots more to come!!

ClayTime Piano – Introduction

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Helping Your Piano Students With Hand Position: Part Two

March 4, 2011

0 Comments

I’d like to take a quick minute to answer one of TAMI’S questions about hand position more directly. In my post where I asked you to ask me questions on how to teach piano, Tami asks;

“When do you personally focus on making sure the student’s hand shape/ posture/ etc. is ALWAYS correct? I assume that this is usually goes case to case according to age, learning style/ type, and level?”

You’re very right – teaching piano is SUCH a personal, case-by-case field. But this is how I’ve approached things in general.

Find the CAUSE of Poor Technique

I view technique as a SYMPTOM which comes from a deeper CAUSE. Search for what is causing poor technique. In my last post, where I help a student play with better technique, we found that moving his arms outward to the outer octaves of the piano instantly improved his “flying fingers”. In the future we will work towards capturing that same feeling while bring his arms more in front of him.

Some possible causes of poor hand position / technique;

- Lack of interest in music, song
- Stress about getting all the notes and rhythms right
- Slight mis-alignments in sitting position, including distance from piano, bench-height
- You can’t “see” the sound. Try opening up the piano so they can see the hammers and how they work, and how what they’re doing on the keys relates to how the sound is produced.
- Trying to play too loud
- They feel judged
- Lack of “free-play” time at the piano, especially in younger students

I Don’t Address Technique Until I’ve Tried Everything Else

Believing that technique is a SYMPTOM, I actually rarely address technique directly. If I do, my plan of attack is like this;

Ages 5-14
- The first time I address technique directly, it’s for no longer than 10 minutes during a lesson.
- I make sure they are at least aware of what we’re doing, even if no improvement is achieved.
- In subsequent lessons, I only address it with subtle reminders, not in depth explanations.
- Maybe 4-6 months later we do a more in depth review.
- I find that inability to help a student with technique, comes from a mis-diagnosis on my part. REALLY watch closely to their every movement – macro and micro. I’ll even do a quick video of them to review after the lessons, when I can really try and observe how they are moving wrong.

Ages 15-Adult
- In this case because of age and maturity, I tend to address technical issues more right away.
- We’ll spend sometimes a good 20 minutes on technique. Most of this time is a “play” back and forth between myself and the student where we are both working together towards improvement. It’s all about discovery!
- I address technique much more often and in depth with teenagers and adults. Every other lesson at times.

Prevention Is the Best Cure

I know this is beginning to sound like a “personal health” post, but it is all very similar. Technique is a RESULT of a variety of other factors. If you try to solve it like its the cause, it will never work over the long term.

Good preventions?

- With the youngest students, play “copying” games with them right away. Games where you play a short series of notes and they have to imitate it back. Ask them to not only copy the notes, but the sound, fingers and hand position.
- Address good POSTURE and SITTING POSITION from day one. (There’s some fun games I’m going to share on this later!)
- Feed your students with a balance of music they LOVE with material they learn from.
- Have a non-judgmental approach. The little things MATTER – the way in which you tell them a note is incorrect, eye contact, energy.
- For the little ones, allow them to “play” on the keys during the lesson (as so many of them do). Its very important to the way in which they get physically acquainted with the instrument.
- When you play something for them as a demonstration EXEMPLIFY the good technique you hope for your students to have.

So THANKS again to Tami for the questions – I will be answering more of them specifically soon! Don’t forget to sign up for EMAIL LIST over there to the right ——–>

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VIDEO. Helping Your Students With Hand Position: Part One

March 3, 2011

1 Comment

A few weeks ago, I asked you to submit questions about teaching piano to the blog.

Two people submitted questions on the blog, and one via email – and to my surprise, they ALL had something to do with correcting bad hand position on the piano. (Thanks Tami, Lynn and Renee for the questions!)

So I am going to do a series of posts all about helping to correct student’s hand position on the piano.

While doing these posts, I’m also just going to be playing around with different ways of sharing these tips. For this clip;

  • The footage of the student happened spontaneously during his lesson (recorded on my iPhone).
  • The next day (today) I quickly scatched out a simple script/commentary to describe what was happening during the lesson. (You may want to catch the ending)
  • I had fun reading the script from a few different angles directly into my MacBook
  • I quickly edited it with iMovie, and uploaded it to YouTube

So here it is, hope you enjoy it and I hope it helps! Stayed tuned for more ideas on helping with hand position!! And thanks for those questions!!!

Please feel free to leave a comment, let me know if this is helpful or if this is something you’ve also tried before.

Thanks!!

Transcription of the script:

HI FOLKS

A FEW WEEKS AGO ON MY BLOG AT WWW.EVOLVINGMUSICEDU.COM I ASKED PEOPLE TO SUBMIT THEIR QUESTIONS ABOUT TEACHING PIANO

I DID THIS TO SEE WHAT WOULD BE REALLY HELPFUL FOR OTHER PIANO TEACHERS OUT THERE

I RECEIVED A FEW QUESTIONS IN THE COMMENTS AND VIA EMAIL – AND TO MY SURPRISE, ALMOST ALL OF THEM HAD SOMETHING TO DO WITH HAND POSITION!

SO I AM GOING TO DO A SERIES OF POSTS (ALL PROBABLY WITH SOME SORT OF VIDEO) ALL ABOUT HELPING YOUR PIANO STUDENTS PLAY WITH GOOD HAND POSITION

IN TODAY’S VIDEO YOU’RE ABOUT TO SEE ONE TRICK THAT WORKED WITH THIS PARTICULAR STUDENT

HE WAS PLAYING THE NOTES AND RHYTHMS REALLY WELL, BUT WAS OFTEN SLIPPING OUT OF POSITION, USING THE WRONG FINGERS OR HIS FINGERS WOULD STICK UP IN THE AIR…

–FIRST CLIP—

HOPEFULLY THAT CAME ACROSS IN THE VIDEO.

NOW YOU’RE GOING TO SEE ME HAVE HIM MOVE HIS LEFT HAND DOWN AN OCTAV AND HIS RIGHT HAND UP AN OCTAV

–CLIP 2—

I GET GOOD VISUAL AND VERBAL FEEDBACK FROM HIM THAT IT FEELS MORE COMFORTABLE. HE’S MORE ACCURATE WITH USING THE CORRECT FINGERS AND HIS FINGERS STICK OUT LESS.

WE ARE TRYING TO CREATE A POSITIVE EXPERIENCE FOR HIM, OF WHAT IT FEELS LIKE TO PLAY WITH GOOD HAND POSITION. WE’RE TRYING TO FIND ANY MODIFICATIONS THAT WILL NATURALLY GET HIS HANDS PLAYING WITH GOOD TECHNIQUE.

THIS SEEMS TO HAVE WORKED PRETTY WELL, SO NOW WE MOVE HIS HAND OUT ANOTHER OCTAV

–CLIP 3—

THIS WORKS GREAT TOO. AND HE’S HAVING FUN.

SO HOPEFULLY THIS HAS HELPED GIVE HIM A GLIMPSE OF WHAT IT FEELS LIKE TO PLAY WITH GOOD HAND POSITION

THIS CAME FROM JUST HAVING FUN AND EXPERIMENTING!

SO THAT’S ALL FOR THE FIRST POST / VIDEO IN A SERIES ALL DEDICATED TO HELPING YOUR STUDENTS WITH THEIR HAND POSITION

THERE WILL BE LOTS MORE TIPS TO COME!

THANKS SO MUCH TO EVERYONE FOR SUBMITTING QUESTIONS, AND YOU CAN CHECK OUT THE BLOG AND SIGN UP FOR THE EMAIL LIST AT WWW.EVOLVINGMUSICEDU.COM

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Ask a Question About Teaching Piano

February 10, 2011

8 Comments

question markHi!  Anyone out there want to ask me a question about teaching piano?  Anything at all!  Honestly, I want to be as helpful as possible for anyone starting out or wanting to improve their teaching skills.  Leave a comment, email me or send me a tweet.

Don’t be shy!  I’ve drafted about 5 posts in the past month (but haven’t posted a single one). I really just want to know what would be helpful to you.

Does anyone have any students they have a question about?  Maybe you’re having a hard time teaching them notes, or rhythm? Do they need reminding to practice? Hand position? Maybe you need to know how to get more students? How to bill parents? Write a contract? How to correct poor technique? Maybe you’re searching for an answer you can’t find, or need a good recommendation for a book? Maybe you want to record your students but don’t know the best way how?

Here, I’ll ask you by VIDEO :-)

A Quick History on Dan

A little background on me, and this blog. My wife and I married and moved to Holden, MA about 4 years ago. I left behind about 35 students in New Hampshire, as well as most of my performing. We were starting a life together, and because of this location change, I was starting over in terms of teaching and earning a living.

Fast forward a few years… now there’s almost 40 students coming to our (small) house a week. Parallel to this, I’ve spent the last 4 years working for my father (he owns two sculpture businesses) and learning all sorts of things; web-design and programming, search engine optimization, photography, marketing. It’s been quite the journey!

Point is, I want to put together all these skills to create something really helpful for piano teachers, and aspiring piano teachers!

The Future Purpose of this Blog

I started this blog for fun in 2010 as an outlet to share my teaching tips with you.

But in this time, the blog has been a little “fly by the seat of your pants” and haphazard in the 10 months since starting it – but I can sense its higher purpose.  And that is to serve as a documentation of the process by which I develop some really valuable and helpful teaching resources.  You can be a part of it, as in order for me to help teachers, it demands your questions, interaction and feedback.

The Evolving Music Blog will serve as your backstage pass to the inner workings of me putting together these resources. You can participate, and follow me step by step as I create resources to help piano teachers.

You’ll also see an entirely new design soon…

Checklist – Next Steps

1. I’m going to answer your questions.

2. I’m going to finally nail down a template/design I’m happy with for this blog.

3. Together, we’re going to start creating these teaching resources. I can’t be too specific about them now.  But these resources will be in various mediums – video, audio and new websites. Think big and think innovative and think exciting and fun. Your questions will help give me direction.

In most of the past 10 years I have taught on average 30-40 students a week. Every day my students and I are coming up with new note reading games, teaching methods, tricks and tips.

So in the coming months and years, I will be producing some really valuable teaching resources and documenting that process here on this blog. But it has to start with your interaction!!

I know together we can create some useful and valuable teaching information, that brings you great results.

Leave a Question!!

I want to seriously hear from you, and what you would like to know about teaching piano. So leave a comment, email me or send me a tweet. I will answer EVERY SINGLE question in a blog post. I will not mention your name if you would like to be anonymous!

EDIT: I am currently hand-moderating all posts, so there may be a delay in seeing your comment. I hope when I switch templates the spam filters will be better, thanks!!

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Fun Note Reading Game with a Tennis Ball

December 28, 2010

11 Comments

tennis ballVideo of a fun note reading game. Great for students whose fingers won’t slow down to let their brain catch up!

The steps for each note are;

  • The student holds the ball in hand that will play the note (this is so they are not tempted to hit the note first)
  • They name the note
  • If correct, they toss the ball to the teacher
  • Then they find and play the correct one on the piano (another hidden benefit, is for every single note, they have to re-orient themselves to middle C)
  • The teacher tosses the ball back to them

The idea of this game is to get students to be sure they are consciously thinking of the note before they play it on the piano. Its perfect for students that are relative beginners to piano, maybe they’ve been taking lessons for 1-3 years. I find this game works great with a select few students, while others it would be a little pointless. Its also ideal for boys, because they’ll tend to like getting to throw a ball back and forth.

I also find it useful for kids that tend to have a lot of energy. It’s a nice break for them to get to stand up and move around a little (and a nice break for me too!)

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